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The Era of the Multi-Hyphenate Star: Rihanna at the Super Bowl

by Jia Bao Chng
October 1, 2026
Reading Time: 2 mins read
0
The Era of the Multi-Hyphenate Star: Rihanna at the Super Bowl

How Rihanna’s 2023 halftime performance brought music, beauty and fashion together and demonstrated the commercial power of an artist with businesses of her own.

When Rihanna took the stage at Super Bowl LVII on February 12, 2023, her performance offered more than a celebration of her music catalogue. It also illustrated how a modern entertainer can connect a major cultural appearance with the businesses she has built around her public identity.

Suspended platforms, white-clad dancers and Rihanna’s striking red outfit created the show’s visual signature. Songs including “Umbrella” and “Diamonds” kept her musical legacy at the centre of the spectacle. Yet one of its most revealing commercial moments involved a small beauty compact rather than an elaborate stage effect.

During the performance, Rihanna briefly touched up her makeup with Fenty Beauty’s Invisimatte Instant Setting + Blotting Powder. The product became part of the action: viewers saw the brand’s founder using it while performing on one of entertainment’s biggest stages. Her makeup look also featured Fenty products, including the red lipstick selected by makeup artist Priscilla Ono.

From a marketing perspective, the moment connected product and personality with unusual economy. A familiar backstage gesture became a televised demonstration, allowing Rihanna’s roles as performer and beauty entrepreneur to appear together without a separate advertising segment.

The commercial activity had begun before kickoff. Fenty Beauty released a football-themed “Game Day Essentials” collection, with products including a football-shaped makeup sponge and gloss accessories. That gave fans a direct shopping connection to the event before Rihanna stepped onto the stage.

Savage X Fenty developed its own campaign around the occasion. Its limited-edition Game Day collection included jerseys, hoodies, sweatpants and other football-inspired pieces, supported by a Los Angeles pop-up. The fashion label’s involvement therefore extended the halftime appearance into merchandise and an in-person retail experience.

These connections should be distinguished from the performance’s actual wardrobe and staging. Rihanna’s headline red look featured Loewe and Alaïa; it was not simply a Savage X Fenty outfit. The documented brand story centres on Fenty Beauty’s onstage appearance and the surrounding product campaigns, rather than Fenty and Savage X Fenty logos woven into the stage lighting.

Together, those elements offer a clear example of the multi-hyphenate star: an artist whose work spans entertainment, product development and business ownership. Rihanna’s music attracted attention, while her beauty and fashion businesses provided additional ways for audiences to engage with her.

That visibility alone does not establish how much additional revenue the performance generated. Its significance as a marketing case study lies in the coordination: music, product use and event-linked collections reinforced the same public identity.

Rihanna’s halftime show demonstrated how a major performance can serve several professional roles at once. The songs supplied the occasion, but the surrounding activity showed how far an artist’s business can extend beyond the stage.

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